The journal One from Jacar Press also published one of my poems -- "Elegance" -- that brought together those two arts. Even though this lovely art form broke my back, I would do it all over again. I suppose that might be a form of courage. And publishing that poem helped me have the courage to focus the opening section of my book around the way these arts and injuries shaped me.
This year I've had 16 poems accepted so far, which is much more than ever in any 9-month period. They're all from this manuscript, which makes me feel it's strong. I campaigned the poems to support publishing the book, but I never expected so much so quickly.
And they did me the kindness of pairing the work with a beautiful image that means a lot to me, as it's involved in my new novel, The Renaissance Club (also available). Bernini's Ecstasy of St. Teresa figures in my story, and when I met this sculpture in Rome, its power is partly why I wanted to write the novel.
The other new journal I was happy to participate in is Mockingheart Review. They took three of my favorites from Arabesque, including my favorite dream poem, "Giraffes."
Gingerbread House published one of the poems that surprised me the most to write -- a poem about a dead-drunk superhero called "Transparency" -- and they paired it with original art that was just perfect. Thanks to the editors for that pairing!
I have a poem forthcoming from Prairie Schooner, and I'm waiting to hear on a few more. But all in all, 2016 has been a bonanza for this poet. And in other ways, a most interesting series of literary adventures. Some of which I will have to wait to tell. Thanks for listening to my surprised delight.